It was reissued nationally on International Artists, in May 1966. [12][13] The 13th Floor Elevators managed to record one perfect take of "You're Gonna Miss Me" in the early morning, but the playback was completely wiped from the tapes. We started working on the song in March 2017. [7][8], After entertaining the idea of embarking on a music career as a country singer, Erickson shifted to emulating the vocalization of rock and roll musical artists he held in high-regard, including James Brown, Little Richard, and Screamin' Jay Hawkins. [Pre Chorus] [14] In addition to the composition's striking lead vocal, the song is also highlighted by Sutherland's precise and driving guitar motif and classic E-D-A-G chord progression. Now she wants him back but he’s distanced himself. Riding out the wave till the sun hit Phone buzzing on silent But I'm past you steering clear You drove to town [19] Following the single's release, the 13th Floor Elevators were drawing sold-out audiences as advertised psychedelic music artists on a weekly basis, but also attracted the attention of the authorities. If she decides she cares enough about him to settle down she can call him. On occasions when he rehearsed, Erickson worked in seclusion with only a few close friends, and the results manifested itself on "You're Gonna Miss Me". When you're out here wylin Once I got the instrumental, it took me about two weeks to write and record the vocals. And you don't give a fuck what your man think Keep me in the moment, 'cause I don't wanna miss what You have for me (What You have for me) Keep me in moment, keep me in the moment Oh keep me in the moment, keep me in the moment Keep me … Cause you out here wylin [Verse 2] He realizes he needs to end it and work on moving on. I was instantly in love with the instrumental Dean made. It was hard to say no. I mean I felt it all, I felt it all Hall's jug instrumental replaced much of Erickson's harmonica to aid in evoking the mind-altering experience of LSD, and attempt to "put the acid" into the song. Dean was working on a really atmospheric/cinematic instrumental. In Canada, the song reached number 54 on the RPM Magazine charts. Need me "You Don't Seem to Miss Me" is a song written by Jim Lauderdale, and recorded by American country music artist Patty Loveless featuring backing vocals from George Jones. And you don't give a fuck what your man think Cause you out here wylin [17] In his book The A to X of Alternative Music, music historian Steve Taylor also considers the hearsay from band members that Hall altered the pitch, and musical textures by varying the amounts of marijuana in his jug. [21] Nonetheless, "You're Gonna Miss Me" managed to reach the Top 10 regionally in Miami, Dallas, Detroit, and San Francisco. You always show me loving [20], In May 1966, the group negotiated a contract with International Artists to distribute "You're Gonna Miss Me" nationwide. Country Music Association Award for Musical Event of the Year, "Patty Loveless Chart History (Bubbling Under Hot 100)", "Patty Loveless Chart History (Hot Country Songs)", If Drinkin' Don't Kill Me (Her Memory Will), Shine On (Shine All Your Sweet Love on Me), The One I Loved Back Then (The Corvette Song), https://en.wikipedia.org/w/index.php?title=You_Don%27t_Seem_to_Miss_Me&oldid=974168884. [Chorus] You're something else, you're something else It’s been a year. There was something about the contrast of it being upbeat yet melancholic that reminded me of a particular experience I had with an ex. And you don't give a fuck what your man think The sound design behind the epic bass synth has become one of the most identifiable elements in the production. With only a three-track available, the group was collectively recording live, reserving the other tracks for vocals and guitar. When you're out here wylin Musically inspired by traditional jug band and R&B music, combined with the group's own experimentation, "You're Gonna Miss Me", along with its Stacy Sutherland and Tommy Hall-penned B-side, "Tried to Hide", was influential in developing psychedelic rock and garage rock, and was one of the earliest rock compositions to utilize the electric jug. "[23], In November 1966, "You're Gonna Miss Me" was featured as the opening track to the 13th Floor Elevators' debut album, The Psychedelic Sounds of the 13th Floor Elevators. I should have walked away but any time I tried she’d come running back, begging for me to stay, promising me the world. Eventually I walked away for good and it was the greatest decision I ever made. I can't say I'm surprised anymore Cause you out here wylin The 13th Floor Elevators countered by having their debut at the new venue, the New Orleans, which was broadcast live on KAZZ-FM radio, and perversely their outlaw status won them a larger audience. Living out a life that you can't keep You've been drinking all night long Phone buzzing on silent He’s past just trying to get over her. Toronto R&B Duo Always Never Break Down Their New Single “Wylin”, And you don't give a fuck what your man think. Living out a life that you can't keep "You're Gonna Miss Me" was released on January 17, 1966 on Bynum's newly established Contact Records (the name alluding to the "contact high" the music created), reaching number two in Austin, Texas. [5], The song's lyrics are, for the most part, about a woman doing the singer wrong, and him boasting that "you're gonna miss me" after the two have separated, which is traditional to the template that many other garage rock bands had followed.