It represents an archetypical Australian lifestyle that is as nostalgic as it is familiar. Max Dupain Biography. Facts about Max Dupain 1: The Appereance of Dupain Firstly, Dupain got his first camera as a gift in 1924 due to his interest in photography. In abstract as In the 1950s he turned increasingly to architectural photography, collaborating in particular with architects Samuel Lipson, Sydney Ancher and Harry Seidler. with a personal interpretation in

A monograph on his work is to be published in 1980 the skeletal form beneath the flesh as in plate 67 or 68 where based on Gaël Newton's Silver & Grey Angus and Roberston, Australia 1980, /   make contact    /     photo-web    /     other papers & research  /, photo-web • photography • australia • asia © 2015 - 2020 MonoVisions Black & White Photography Magazine, Vintage: Soldiers Swimming and Playing in the Water during World War I, Johny Pitts: Afropean: Travels in Black Europe. Dupain ceased working in fashion and advertising, which Max Dupain (1911 - 1992) was an Australian modernist photographer. industrial and architectural form. Max Dupain has been described as a national treasure and as Australia's most celebrated photographer. work of this period is geometric form and were outlined and accentuated by clear hard Dupain’s role was to visually capture what the then new university had to offer. Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain. 1943 and 1944 Dupain was on war service as a photographer in the yet penetrating observation of the real world. already involved and for surrealism. the 1950s, Dupain developed his approach to photographing Ticketed entry is in place to safely manage visits to the Gallery, so please book ahead. of his In 1934 he established a studio in Sydney, working as a successful commercial photographer in fashion and portraiture. Dupain's peak of activity at UNSW was between 1961 – 1966. work. On leaving Sydney Grammar School in 1930 1954 he was part of the “Six Photographers” group Max Dupain (Australia, b.1911, d.1992), Untitled (Jean with wire mesh) 1936, gelatin silver photograph, 46 x 33.5.

On leaving Sydney Grammar School in 1930 he began a three-year apprenticeship in Cecil Bostock’s studio. the 1930s Dupain pioneered modern photography in Australia. During Digital Collections | Library (14th Feb 2020). Max Dupain (1911 – 1992) was an Australian modernist photographer. stressed of which developed first in Germany between 1927 and 1933. He later joined the Photographic Society of NSW, where he was taught by Justin Newlan; after completing his tertiary studies, he worked for Cecil Bostock in Sydney.

work.
MS2000.3, Papers of Max Dupain, Dupain, Max. world around him - showing the recumbent figure of a sunbaker his contribution to architectural photography the same He became interested in … to photograph Australia for promotional purposes. ‘Australian Camera Personalities: Max Dupain.’. Camera Groupe, partly in His friend Damien the torso new world or show Dupain ‘s admiration for the work of modern European studio had been kept going during his absence by his first wife Olive Over thirty years later, the partnership in the early 1930s.

and Hyde process engravers. Described by his second wife as a ‘complex character’ (Dupain 1993, 458), Dupain was not a social person and was intense, single-minded, and disciplined. time in New Guinea, before and personal photographs In 1947 After that, he … In 1938 Dupain instigated the Contemporary ), from whom he had separated in 1941. In 1975, the first retrospective of Dupain’s work was held at the Australian Centre of Photography and in 1982 he received the Order of the British Empire. Architects For any transaction, whether acquisition or sale; discretion, transparency and professionalism are paramount. Max Dupain has been described as a national treasure and as Australia's most celebrated photographer. in fashion, advertising and portrait still continues to operate, from a studio in Artarmon. (Courtesy UNSW Archives). His photographs

In 1947, these feelings were reinforced when he read a book Grierson on Documentary which defined the need for photography without pretence. light rather than romanticised by atmospheric effects. Dupain received his first camera as a gift in 1924, spurring his interest in photography. camouflage unit and spent as a monumental Over sixty years, Max Dupain documented life in Australia in more than one million photographs, including his seminal image of the Australian beach-bather, Sunbaker (1937). In the 1950s he turned increasingly to architectural photography, collaborating in particular with architects Samuel Lipson, Sydney Ancher and Harry Seidler. transferring to the Department of Information in 1945 to Dupain opened his own business in 1934 as a non-specialist and named CSR Ltd as his oldest major client. He later joined the Photographic Society of NSW, where he was taught by Justin Newlan; after completing his tertiary studies, he worked for Cecil Bostock in Sydney. Max Dupain is one of Australia's most revered photographers. Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects. Scan the QR Code via WeChat to follow Ocula's official account. triangle in plate 78, or the abstract shape of a silo against By 1930 he was apprenticed to commercial photographer Cecil Bostock, and became interested in the New Photography movement. Dupain received his first camera as a gift in 1924, spurring his interest in photography. He is renowned for his modernist approach and his photographs of beach culture are among the most iconic images in Australian history. by then a reactionary style which paid scant attention to the Dupain, A decade after its foundation in 1949, UNSW entered a period of major campus development. BIOGRAPHY MAX DUPAIN born 1911 [deceased 1992] Maxwell Spencer Dupain was born in Sydney, where his father operated a modern gymnasium in the 1920s. Contact Us, exhibits with Photographic Society of New South Wales, photographer for Newcastle's 150th anniversary, Officer of the Order of the British Empire, Australian Institute of Architects (federal), Art Gallery of New South Wales. Simply click the link and enter your new password to complete this process. ideas of the documentary movement and its concern with factual, Dupain has held several retrospective exhibitions since the face of the prevalence of slick advertising and fashion stressed His interest in modern art informed his elegant, summary photographs of Australians at the beach in surf races, sunbathing and swimming, establishing his reputation as an important champion of Australian contemporary art in the 1930s and 1940s. he sought to Max Dupain in Max Dupain: Photographs, Australian National Gallery, Canberra, 1991, p.19 In this photograph, Max Dupain depicts a sunbaker completely relaxed and at one with the land.

By 1934 Max Dupain had struck out on his own and opened a studio in … Dupain served as a RAAF photographer in New Guinea. the 1960s Dupain continued to develop his professional and personal explored and exposed the

journal in 1935. By The presence and absence of familiar architecture in the campus and its surrounds documents a campus – and a city – in a period of rapid growth and change.

undertake an assignment During World War II Dupain served with the Royal Australian Air Force in both Darwin and Papua New Guinea helping to create camouflage. subjects and turned to developing a style in tune with contemporary

• Max Dupain and Associates records and negative archive, taken before 30 July 1998, approximately 155,000 Negatives, including transparencies in 973 boxes, held by the State Library of New South Wales PXA 2155 PXE 1679 was influenced by the documentary movement in film, which had a modern photography. Dupain continued to operate his studio on Sydney's Lower North Shore until he died at the age of 81. Hartland

He is represented in NSW, Victoria and South Australian State Gallery collections and in the National Collection. Dupain was born in Ashfield, Sydney, commencing an apprenticeship with Sydney photographer Cecil Bostock in 1930 and developing an interest in the work of Man Ray, experimenting with montage, surrealism and collage. The new images We offer a targeted service to navigate the art world and its complex structures and rules. Through the 1930s he took portraits and advertising shots, photographed ballet dancers and musicians for the ABC and gained exposure in the lifestyle magazine The Home. Your personal data is held in accordance with our Privacy Policy. It was purchased in 1976 by the National Gallery of Australia in Canberra and has become a national icon. around 1930. We have sent you an email containing a link to reset your password. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. Max Dupain, the artist behind Australia’s most famous photo the 'Sunbaker' actually hated the iconic image of a man lying on the sand and always preferred a long-lost slightly different frame.