1965-1981’, on: www.faroutmagazine.co.uk, London, 30 March 2019, ill. Chamberlain, Tuzina, Kiecol und Halley bei Onnasch’, in: Der Tagesspeigel, Berlin, 12 August 1987 Seldies, Henry J., ‘West Coast Milestone’, in: Art in America, New York, April 1965, p. 109 Permanent Collection Exhibition', Water Mill NY Guggenheim Inaugurates a Marriage’, in: The New York Times, New York, 26 June 1992, pp. Robert L. Kidd Galleries, 'John Chamberlain', Birmingham MI Rijksmuseum, 'Artzuid', Amsterdam, Netherlands cat. Raynor, Vivien, ‘The Art of Assemblage’, in: Arts, New York, November 1961, pp. Cultural tokens or ornaments to life?’, in: ARTnews, New York, September 1979, p. 198, Slesun, Suzanne, ‘The New York Artists in Residence’, in: ARTnews, New York, November 1978, pp. Art. Hemphill, Christopher, ‘A Matter of Mood. __, ‘Chamberlain Inducted into Arts Hall of Fame’, in: Sarasota Herald Tribune, Sarasota, 27 May 1990 Coplans, John, ‘Reviews’, in: Artforum, New York, April 1964, pp. The Cleveland Museum of Art, 'The Third Dimension', Cleveland OH (Travelling Exhibition) Choay, Francoise, ‘Lettre de Paris’, in: Art International, Lugano, 1 December 1960, pp. Sandler, Irving, 'John Chamberlain. The Saatchi Collection', New York: Rizzoli, 1985, ___, 'John Chamberlain. Painting and Sculpture', New York NY Recent Sculpture', New York: Pace Wildenstein, 1994 (exh. ___, 'Chamberlain', Paris: Galerie Ileana Sonnabend, 1964 (exh. Timothy Taylor Gallery, 'Secrets of Sunset Beach', London, England cat. Hauser & Wirth Menorca Explore now Jenny Holzer Explore now Rashid Johnson Untitled Anxious Red Drawings Explore now George Condo Drawings for Distanced Figures Explore now ... Facebook Instagram Twitter Weibo Youtube WeChat. ), Thierolf, Corinna, 'John Chamberlain. Ashton, Dore, ‘Art. ), Creeley, Robert, 'John Chamberlain Sculpture 1970s & 1980s', Houston: The Menil Collection', 1987 (exh. Green Gallery, 'Contemporary Painting and Sculpture', New York NY Frackman, Noel, ‘Tracking Frank Stella’s Circuit Series’, in: Arts, New York, April 1982, pp. Early Works', New York NY, Waddington Galleries, 'John Chamberlain. __, ‘John et Les Ferrailleurs’, in: City Magazine International, Paris, June 1991, p. 13 Introducing the Fisher Collection', San Francisco, CA, Museum of Contemporary Art, 'Collection. Whitney Museum of American Art, 'Beat Culture and the New America. Martha Jackson Gallery, 'Sculpture/International', New York NY The John and Mable Ringling Museum of Art, 'John Chamberlain Reliefs 1960–1982', Sarasota FL, 1982 Dia Art Foundation, 'John Chamberlain Sculpture. Kuspit, Donald B., ‘John Chamberlain at Heiner Friedrich’, in: Art in America, New York, July/August 1978, p. 112 Townsend, Benjamin, ‘Albright-Knox-Buffalo. Harris, Dale, ‘Deep in the Art of Texas’, in: Travel and Leisure, New York, June 1991 De Bure, Gilles, ‘Qui sont les tetes de l’art’, in: Beaux Arts, Paris, October 1995, pp. John Chamberlain’s Environments’, in: Vogue, New York, 15 April 1970, p. 154 1,6 Simmons, Ira, ‘Sculptor and his art’, in: The Courier Journal, Louisville, 31 July 1988 1950–1965', New York NY, XXII Bienal de São Paulo, São Paulo, Brazil, Margo Leavin Gallery, Los Angeles, CA, with Donald Judd, The Pace Gallery, 'John Chamberlain. Now open — updates to our global locations. Dag Hammarskjold Plaza Sculpture Garden, 'John Chamberlain. Graham-Dixon, Andrew, ‘Fender bender’, in: The Independent, London, 25 April 1987 Learn more. Domino, Christophe, ‘Chamberlain Americano Mecano’, in: Beaux Arts, Paris, April 1993, pp. al. 20th/21st Centuries. John Chamberlain—The Squeeze and The Fit’, in: Architectural Digest, New York, November 1985, pp. Recent Sculpture', Minneapolis MN (Travelling Exhibition) cat. Porter, Fairfield, ‘Reviews and Previews’, in: ARTnews, New York, January 1959, p. 17, 1958 Schulyer, James, ‘Reviews and Previews’, in: ARTnews, New York, April 1958, p. 53 Anderton, Frances, ‘The gallery strikes back’, in: The Art Newspaper, New York, July/August 1996, p. 34 __, ‘Goings On About Town/Galleries-57th Street Area. __, ‘New York in Review’, in: Arts, New York, November 1990 The presentation takes inspiration from Helen Molesworth’s seminal essay ‘Duchamp: By Hand, Even’... Matthew Day Jackson’s practice grapples with myriad aspects of human experience, honing in on the capacity for destruction and violence under the guise of invention and discovery. He first achieved renown for sculptures made in the late 1950s through 1960s from automobile parts – these were path-breaking works that effectively transformed the gestural energy of Abstract Expressionist painting into three dimensions. Circarama Building, New York State Pavilion, World’s Fair, 'Group', Queens NY Smith, Duncan, ‘In the heart of the Tinman. 42-45, Hughes, Robert, ‘The View from Piccadilly’, in: Time, New York, 4 October 1993, pp. 1996 Abstraction in the 20th Century: Total Risk, Freedom, Discipline. Plagens, Peter, ‘Los Angeles’, in: Artforum, New York, October 1970, p. 88 Drohojowska-Philip, Hunter, ‘Still Making Things Happen’, in: The Los Angeles Times, Los Angeles, 17 September 1995, pp. Hicks, Alistair, ‘Temple to Mao’, in: The Spectator, London, 6 April 1985 cat. Tucson Fine Arts Association, 'Recent Sculpture USA', Tucson AZ (Travelling Exhibition) Hauser & Wirth is located in Zurich, London, New York, Somerset, Los Angeles, Hong Kong and Gstaad. cat. I feel threatened', on: the guardian.com, 23 June 2020, ill. Goodman, Jonathan, ‘John Chamberlain at Hauser & Wirth’, on: www.whitehotmagazine.com, Brooklyn NY, September 2019, ill. Dorfman, John, ‘A Good Fit’, on: www.artandantiquesmag.com, Wilmington, August 2018, ill. __, ‘Abstract Dialogue’, in: Cultured, Miami, Winter 2016, ill. Wright, Karen, ‘John Chamberlain, Inverleith House, review. Gondolas and Dooms Day Flotilla', New York NY Institute of Contemporary Art, 'U.S.A.. Rauschenberg and Noland and Johns and Louis and Chamberlain and Dine and Stella and Oldenburg, The Biennale Eight', Boston MA Selected Prints', New York NY, L.A. Louver Gallery, 'John Chamberlain', Los Angeles CA, Dia Art Foundation, 'John Chamberlain Sculpture. 108-109, 1965 Smith, Thomas Macaulay, ‘Art for the Underground House. Neue Pinakothek, Haus der Kunst, 'Sammlung 1968 Karl Stoher', Munich, Germany al], 'Chamberlain', Bern: Kunsthalle Bern, Eindhoven: Van Abbemuseum, 1979 (exh. Ellenzweig, Allen, ‘Group Show’, in: Arts, New York, April 1975, p. 12 Leo Castelli Gallery, 'John Chamberlain', New York NY, 1970 Lo Giudice Gallery, 'John Chamberlain “Soft and Hard”. ), Fuchs, Rudi, Yau, John + [et. Stable Gallery, 'New Sculpture Group. John Chamberlain. 38-39 Hauser & Wirth is located in Zurich, London, New York, Somerset, Los Angeles, Hong Kong and Gstaad. In order to share a safe and positive experience, we ask that you book a timed reservation to visit Hauser & Wirth Somerset. Learn more. He eventually returned to metal in 1972, and, in Sarasota, he expanded the scale of his works to make his iconic Gondolas (1981 – 1982). Power, Kevin, ‘Robert Creeley on Art and Poetry’, in: The Niagara, Fall 1978 Recent Work', New York NY, 2007 Dan Flavin Art Institute, Dia Center for the Arts, 'John Chamberlain, Squeezed and Tied. Mueller, Gregoire, ‘Points of View. 208-216 cat. rais. __, ‘Blick Uber Den Atlantik und Zuruck’, in: Madame, Paris, June 1989 Rose, Barbara, ‘How to Look at John Chamberlain’s Sculpture’, in: Art International, Lugano, 16 January 1964, pp. Chevalier, Denys, ‘La Sculpture a la XXXIIe Biennale de Venise’, in: Art International, Lugano, 25 September 1964, pp. In many ways, each location provoked a distinct material sensibility, often defined by the availability of that material or the limitations of physical space. The Museum of Modern Art, 'Younger Abstract Expressionists of the Fifties', New York NY Two Abstractionists’, in: The New York Times, New York, 6 January 1960 New Sculpture', New York NY, Galerie Sonia Zannettacci, 'John Chamberlain', Geneva, Switzerland, Galerie Pierre Huber, 'John Chamberlain', Geneva, Switzerland, Museum of Contemporary Art, 'John Chamberlain. A Retrospective Exhibition', New York: Solomon R. Guggenheim Museum, 1971 (exh. New Sculpture’, in: Arts, New York, June 1975, pp. New York’, in: Artforum, New York, April 1969, pp. 6-7 cat. Gagosian Gallery, 375 Park Avenue, New York, NY, 2011 Gagosian Gallery, 'John Chamberlain. 90-101, ill. McGill, Douglas C., ‘Art People’, in: The New York Times, New York, 1 August 1986, p. C28 Locksley/Shea Gallery, 'John Chamberlain. Hauser & Wirth is located in Zurich, London, New York, Somerset, Los Angeles, Hong Kong and Gstaad. Hauser & Wirth is located in Zurich, London, New York, Somerset, Los Angeles, Hong Kong and Gstaad. ), Kertess, Klaus, Stockebrand, Marianne + [et. Clocktower Gallery, 'Artists Make Toys', New York NY, 1974 The Museum of Modern Art, 'Works from Change, Inc.', New York NY Spring, Justin, ‘Reviews’, in: Artforum, New York, November 1992 Hauser & Wirth verified_user @hauserwirth. 105-106, __, ‘Art. Carnegie Institute, 'The 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture', Pittsburgh PA The Museum of Modern Art, 'Sculpture in the Open Air', New York NY More is Clearly More’, in: The New York Times, New York, 8 August 1995, p. C13, ill. Raynor, Vivien, ‘Art. In the Barges series (1971 – 1983) he made immense foam couches, inviting spectators to lounge upon the cushioned landscape. ), 1987 Creeley, Robert, 'John Chamberlain Sculpture 1970s & 1980s', Houston: The Menil Collection', 1987 (exh. 47-50, Judd, Donald, ‘Kansas City Report’, in: Arts, New York, December 1963, pp. Influence and Transformation', New York NY, Bernard Jacobson Gallery, 'John Chamberlain, Dan Flavin, Donald Judd', London, England, Whitney Museum of American Art, 'The American Century. ), Rose, Bernice, 'de Kooning / Chamberlain. Monumenta, Newport RI