Ron Mueck AGNSW collection Brett Whiteley Swinging monkey 1: no. With a vibrant background of ultra-marine blue, this work offers a unique take on the self-portrait genre with the artist shown painting his own reflection from a small hand-held mirror in only one corner of the canvas, the rest of the piece being a view into Whiteley’s Lavender Bay studio, furnishings shown in minute detail, complete with a nude female figure prostrate on a day bed. He was a prolific artist who won many prizes during his lifetime, and his studio in Sydney is now a thriving gallery. Antony Gormley Whiteley comments on John Christies actions with negative connotations. The drawings in this exhibition have rarely been seen. Two of the panels are painted layer by layer of oil paints to create the image. “Portrait of Wendy” presents Whiteley’s view on gender, particularly women. Visual communication through the form of painting was a way that Whiteley told the story of other people such as Christie whom was specific to a certain period of time through history. The way the women become captured by Christie is displayed through the line work and fragmentation of the work. He held many exhibitions, and lived and painted in … The blank area allows the viewer’s eyes to maintain the vectors and ultimately read the work. Whiteley often employed particular framing devices throughout different aspects and focal points within his practice. How does Whiteley achieve a variety of layered effects when applying paint to the surface of his work? Whiteley made the choice to represent himself as an enraged beast which symbolically portrayed this view of himself as a self portrait. Whiteley won the international Biennale for young artists in 1962 which strengthened his reputation worldwide. AGNSW collection Brett Whiteley Drawing about drawing: no. The artists currently considered within this unit of work currently include: This is evident in particular the Christie series which displayed Whiteley’s common motifs of violence and imagery of sex. Whiteley acknowledged this in his work by painting the objects themselves. This is a very post modern approach to art making as he uses different art making styles that originate during different times in art history. “Christie” presents a number of Whitley’s art making practices, There is evidence of collage, layering and the inclusion of photographic media and text. This emphasis shows the audience the love that Whiteley felt for his wife. AGNSW collection Brett Whiteley Big orange (sunset) 1974, AGNSW collection Brett Whiteley The balcony 2 1975. This is contrasted with the small photographic portrait of Whiteley in the smallest panel of the work. Whiteley presents the audience with his perceptions of the world by intentionally abstracting the subject. "Self Portrait in the Studio" by Australian Artist Brett Whiteley. Whiteley encapsulated the detailed and momentous actions of the senseless murderer John Christie and presents his belief that sex was the driving power for evil and destructive actions. ’ This applied to him as even though he is gone, his artworks remain to be some of the most celebrated works of art within Australia. Patricia Piccinini Read the latest visit information, including hours, ART SET BY: Ron Pratt, head teacher Wyndham College, ART-MAKING UNIT OF WORK Art History: Whiteley was a part of the Australian Avant-Garde movement which is a modernist form which associates with pushing boundaries that are considered the norm. The works are shaped by the technology of the time and the varied use of technological advancement. This is evident in the comparison of the photograph of the victim that is sided by two images of washed out faces which comments on the unfortunate fate of the victims and sparks a solemn sense of sympathy for the audience. This can be seen in the works; “Christie” (1965), “Art, Life and the Other Thing” (1978) and “Wendy” (1984). For Christie to be a subject of many of Whiteley’s works was considered very odd as it was such a brutal story and was an odd choice of misleading idealisation. “In Majorca in 1967 Robert Graves explained the meaning of genius to me and Brett as 98% lead, 2% mercury. His popularity and ability to win awards and scholarships proves how celebrated he was as an artist. Looking at his body of work what motifs are synonymous with Whiteley's practice? The murderer’s portrait is placed at the bottom of the page among the face of many of his victims. Cultural: Whiteley’s work includes images of sex, violence and social themes. The influence of drugs and alcohol heavily impacts his life and art making practice. Vincent Namatjira wins Archibald Prize 2020 for... “MONA FOMA” ANNOUNCES 2021 FESTIVAL DATES. In 1978, he received the honour of being the first and only artist to win the Art Gallery of NSW Archibald prize, the Sulman prize and the Wynne prize in the same year. You can’t go back there, but you can learn the ease of doing something like that through a lot of hard work. The idea of “Christie” was sparked as Whiteley had travelled parts of the work during the 1960’s. Whiteley’s practice could be seen as synonymous with that of a bower bird. When Whiteley returned to Australia in 1964, he was known as one of the leading Australian Artists. Whiteley challenged tradition of art as it was not deemed conventional to be obsessed with something such as a brutal murderer. Explain the narratives Whiteley explores throughout his collections of ephemera. Whiteley cleverly composed the work so the eyes would draw this image as it is an important idea addressed in the work. Whiteley uses the advancement of photographic technology in one of the panels which is juxtaposed with the two paintings that represent a more traditional style of art making.