It’s also one of the most memorable themes, in an impressive lineup of songs that sing some pretty terrific metaphors.
As George Lazenby strutted into his first, and only, film in the role, James Bond blazed a musical trail that’s still a breathtaking work to behold. He’s not British! In the first two movies, they were something of an after thought, but Shirley's theme tune to 'Goldfinger' went POW! After the success of Duran Duran, the first Timothy Dalton movie secured the services of another huge '80s band for the theme tune. 1 earning the greatest value and weeks at No. Composer John Barry, who worked on almost every piece of music that ever found its way into a James Bond movie, has said that this is his proudest achievement in the franchise.
Paul Phear Lulu's pop stylings made her a blue-eyed soul icon, and her biggest hits are peppy and vibrant.
It's a striking psychedelic number, so perfectly late '60s and darkly romantic.
Sheryl Crow is certainly an odd choice for a Bond song, especially since it doesn't really capture her general vibe as a solo artist (the dripping strings do, however, bring to mind Bobbie Genty's "Ode to Billie Joe," a song Crow later covered). © Copyright 2020 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. Lyricist Don Black teamed up with composer David Arnold for this Brosnan-starring title track, taking Bond into the late '90s alt-rock era. Get another Welsh powerhouse!
7.
But while hammy, out-of-date movies can make for very fun watching, corny tunes don’t seem to hold up quite as well.
It was an offbeat choice of artist compared to what came before, but it's underrated rocker that definitely deserves more love.
It avoids all of the theme song cliches, eschewing those big horns and jazzy melodies for something more contemporary and folky for the 1977 film.
While not quite as great as its predecessor, it was a brilliant way to usher in the new moody era of 007. Instead, she phoned in this dance track for Pierce Brosnan's last (and worst) Bond film, Die Another Day. By the time the franchise’s third film was released two years later, we already had Shirley Bassey roaring “Goldfinger”over the credits, and audiences knew just what kind of fun 007 had in store for them. The Bond franchise would never be the same again.
When you think of Louis Armstrong, you surely think of “What a Wonderful World,” but his Bond theme “We Have All the Time in the World” should not be forgotten. But it's just not a great Bond theme in comparison to the rest. Instead of offering a memorable Bond song, we got what sounds like a forgettable track from a late '90s grunge rock compilation of theme song covers. Written by the band alongside John Barry, it remains the only Bond theme to score a US number one. Also versed in Large Scale Aggressors, time travel, and Guillermo del Toro. The newfound vulnerability of James’s psyche is reflected in a beautifully haunting tune that, upon further examination, is a love song of sorts.
James Bond Songs.
This was the first time Bond went a bit melancholic with its theme tune, and it worked brilliantly. The same guy who wrote the scene where Augustus Gloop gets stuck in a chocolate pipe also wrote the scene where James Bond fakes his own death and escapes from a burial at sea. It became one of the best-selling singles of all time, won an Oscar and is basically the most successful Bond theme ever. If you thought you were having a bad day, think again.
With Spectre looming ominously on the horizon, we look back at more than 50 years of Bond themes, counting down from worst to best.
You may be able to find more information about this and similar content at piano.io, Everything We Know About the Next James Bond Movie, Tom Hardy Couldn't Possibly Be the Next Bond, Fukunaga's Original Bond Idea Sounds Incredible, The 'No Time to Die' Release Date Has Moved, James Bond Producer Says Next 007 Will Be a Man, Billie Eilish Is a Great Fit For a Bond Song, Why Daniel Craig Returned For 'No Time To Die'.
After a somewhat strange choice the previous year in Rita Coolidge, they stepped it up a notch for Roger Moore's last movie, by hiring the biggest band on the planet.
The Brit singer's torch song, of course, joins a pantheon of famous 007 tracks. An old school take on a Bond theme, it describes the plot of the movie without delving into the innuendo nature of later tunes. What do you do after the success of Shirley Bassey's 'Goldfinger'?
Each Bond gets the themes he deserves, from the smooth and impenetrable tunes of the Connery era to the radio-ready offerings from the Daniel Craig years, as muscular and wounded as his iteration of the legendary spy. And the critics noted that Tina Turner’s voice in the GoldenEye theme song had a sort of Shirley Bassey quality.
You don’t need to have seen Spectre to know that the song Sam Smith wrote for it taps into the unique pathos of the rebranded contemporary version of the character; when it comes to Bond themes, the writing has always been on the wall.
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