gads.type = 'text/javascript'; The jam at the end is genius. I played "Closed Captioned" on my radio show today yesssss. position:absolute; SPDX-License-Identifier: Apache-2.0 End Hits won't grab you by the throat like the earlier releases, but if you invest three or four listens to it, … With the release of End Hits, it became obvious the band intended to expand upon this experimentation. (function() { } Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on January 7, 2020, We love vinyl in this house My son is very happy with this for Christmas, Reviewed in the United States on March 13, 2006, Reviewed in the United States on November 2, 2018. During this extended recording process, the band would begin to incorporate new instruments into their sound such as electronic drums and synthesizers. $( "#birds" ).autocomplete({ Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. The band could experiment successfully due to them taking a longer period to record the album, spending seven months at Inner Studios. Great, great review. This is my second favorite Fugazi album, behind Red Medicine. For all those who worry that the Fugazi story may be coming to an end, both "Instrument" and its soundtrack show a band still growing and, in some ways, just getting started. else I love this album. End Hits is the fifth studio album by American post-hardcore band Fugazi, released on April 28, 1998 by Dischord Records.It was recorded at Inner Ear Studios from March 1997 to September 1997 and produced by the band and Don Zientara, and saw the band continuing with and expanding upon the in-studio experimentation of their previous album Red Medicine (1995). Back to home One thing comes to mind, and that's boredom -- perhaps not for the artists involved, but likely for the listener. "Kill Taker" is probably the quintessenal Fuguzi album: it fuses their blasting punk with their brilliant experments, with amazing results. font-size:12px; 'use strict';var g=function(a){var b=0;return function(){return b { Darker and more broody than their other records, it's a standout that captures a particular spirit of late '90s angst, but is by no means a dated record. All the songs rock with all of their former glory. var ma=function(){var a=function(){if(!l.frames.googlefcPresent)if(document.body){var b=document.createElement("iframe");b.style.display="none";b.style.width="0px";b.style.height="0px";b.style.border="none";b.style.zIndex="-1000";b.style.left="-1000px";b.style.top="-1000px";b.name="googlefcPresent";document.body.appendChild(b)}else l.setTimeout(a,5)};a()},na=function(a){var b=Date.now();W(a.b,"internal_api_load_with_sb",a.f.h(),function(){var c;var d=a.b,e=l[l.btoa(d+"loader_js")];if(e){e=l.atob(e); Fugazi also has a knack for writing fantastic instrumentals, and here they add Arpeggiator to classics like Sweet and Low(one of my favorite songs ever) and Brendon #1. 'https:' : 'http:') + Fugazi never made a bad album. var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; This album is unfairly maligned. Reviewed in the United States on August 15, 2013. (function(){/* var gads = document.createElement('script'); Lally and Canty's rhthyms on this record are especially sharp and inffective.